8 posts tagged “philippine movie industry”
The ten finalists in the full length feature category of the 2007 Cinemalaya Independent Film Festival and Competition have been selected. The finalists are:
1. 2,999 by James Arnold B. Ladioray
2, Endo by Jade Castro
3. Gima (The Goat) by Adolfo B. Alix Jr.
4. Gulong by Romualdo “Bona” Fajardo and Anna Liza “Lyn” Fajardo
5. Ligaw Liham by Emilio “Jay” Abello VI
6. Pisay by Auraeus Solito
7. Sinungaling Na Buwan by Eduardo Lejano Jr.
8. Still Life by Katrina Flores
9. Tribu by Jim Libiran
10. Tukso by Dennis Marasigan.
The Cinemalaya Selection Committee composed of Juaniyo Arcellana, Nestor Torre, Manet Dayrit and Robbie Tan chose the ten finalists from a shortlist of 25 semifinalists. Cinemalaya Festival Director Laurice Guillen moderated the deliberations. A total of 240 entries were submitted to the full-length category of the Cinemalaya competition.
The ten finalists will be awarded a grant of Php 500,000 each and will be shown as competition films during the Cinemalaya Festival in July 2007. The best film will be announced on July 29, 2007 and will be awarded an additional grant of Php 200,000 and the Balanghai trophy in awarding ceremonies at the CCP Tanghalang Nicanor Abelardo.
The Cinemalaya Independent Film Festival and Competition will be held on July 20-29, 2007 at the Cultural Center of the Philippines.
2,999
by: JAMES LADIORAY
Finalist, Full Length Films Category
2,999 is a love story revolving around the 3,000 pairs of shoes of Imelda Marcos and a boy who stole one pair, for poetic justice and for love. The massive shoe collection of the former First Lady, which has attained global iconic, if not notorious status, becomes the ironic focal point for closure, healing and redemption.
About the Director
A cum laude graduate of the University of the Philippines, JAMES LADIORAY is currently a Creative Director who has won several creative awards in the advertising industry. 2,999 is his second script. His first full-length screenplay, the black comedy CUT, bagged the Grand Prize in the 2002 Cinemanila International Film Festival Scriptwriting Competition.
ENDO
by: JADE CASTRO
Finalist, Full Length Films Category
Leo’s life is a series of terminable contracts. Unable to finish school and forced to be the family breadwinner, he takes on five month service-oriented jobs, one after another. Will his love affair with the spirited dreamer Tanya finally give him a taste of security and permanence?
About the Director
JADE CASTRO is a writer, director and producer, who has worked for both commercial and independent features and shorts, television, and music video in numerous capacities. His short film Hopya Love Me Too won the Kodak Award in 2000 and participated in the first Cinemanila International Film Festival. He wrote the screenplay for First Day High in 2006 and co-wrote D’Anothers in 2005. As one of the founding members of UFO Pictures, he co-produced the 2005 Cinemalaya entries Sarong Banggi and Ang Pagdadalaga ni Maximo Oliveros. He has also written film reviews for, among others, Pelikula Journal and Philippine Daily Inquirer. He graduated from the University of the Philippines with a degree in film.
KADIN
by: ADOLF ALIX JR.
Finalist, Full Length Films Category
In the small Ivatan village of Chavayan in Sabtang Island, Batanes, Peping - a ten-year old boy and his family make a living out of the milk provided by their kadin (goat), Gima. One morning, he wakes up to find out that Gima, is missing. A storm is brewing, so they have to find Gima before it’s too late. Together with her younger sister, Lita, the two goes on a seemingly impossible search for the goat in the landscape of Sabtang Island, Batanes. A series of frustrating episodes mark the day, tension and desperation growing as chances for recovering the goat and with it, their dashed hopes, start to fade. What follows is a wonderful parable about innocence and the infectiousness of goodness. The odyssey teaches the boy about the true meaning of life- where kindness and cruelty can be found in close proximity.
About the Director
ADOLFO B. ALIX, JR. graduated magna cum laude from the Pamantasan ng Lungsod ng Maynila with a degree in Mass Communications. He was co-writer of the internationally acclaimed Mga Munting Tinig (Small Voices) by Gil M. Portes. His other writing credits include Homecoming, Beautiful Life, Mourning Girls, D’Anothers, Umaaraw, Umuulan and Siquijor: Mystic Island. His first foray as a writer and director, Donsol was a finalist in the 2006 Cinemalaya Independent Film Festival where it won Best Actress and Best Cinematography honors. The film was screened in several international film festivals abroad and garnered Special Jury prizes in the Asian Marine Film Festival in Japan and in the Fort Lauderdale International Film Festival in the U.S.A. He also handled film and screenwriting classes at Pamantasan ng Lungsod ng Maynila and San Beda College-Alabang.
GULONG
by: SOCKIE FERNANDEZ
Finalist, Full Length Films Category
GULONG is about friendship, love and life. The story is told from the point-of-view of Apao, a smart, kindhearted boy whose quest for an old bicycle reveals the stuff he is made of. With him on this adventure are his insan Momoy and his bespren Tom-Tom. The story begins with a question: How are our 3 friends going to spend their summer vacation? Tom-Tom suggests that they go to his uncle’s fishpond, an hour’s bike ride from where they live. Apao and Momoy have a problem – they don’t own a bike! There are no jeeps and it is too far to walk. Momoy finds an old bicycle but the owner, an old woman named Tita Maggie, will only give it to him if he pays her a hundred pesos. He agrees and promises to come back with the money the next day. This starts a series of events which affects Apao, his friends, his family and even his community. In the end, a discarded 40 year old bicycle connects the past to the present and becomes a catalyst for healing old wounds and reviving a love affair that has long been left for dead.
About the Director
SOCKIE FERNANDEZ was an advertising producer for various multinational advertising agencies. She became a regional producer for a multinational company. She heads the production department of a production house and handles the marketing of a post production house. For more than a decade, she has been directing television commercials. In 2004, she directed her first short film Liyab which won best short of Cinemanila and Gawad Urian that year. It was also among the six Filipino films shown at the Cannes International Film Festival in 2005. Gulong, which she is directing and producing, is her first feature.
LIGAW LIHAM
by: JAY ABELLO
Finalist, Full Length Films Category
When one is invisible, one is likely to lose his way. To an individual whom society fails to notice because of a diminishing circumstance, it is easy enough to lose himself in things that would otherwise be unacceptable. Ligaw Liham is this kind of story. Nor, considered the town simpleton, finds an opportunity to sway to the dance of love when he takes over the pen of Karen’s husband and wrote letters not his. This is a story on how deeply people get affected when one of society’s basic services stops working. It takes inspiration from a true incident involving a provincial post office in Negros that simply stopped working at a pre-texting era when people tend to be completely dependent on the mailing system - letters were neither coming nor going, leaving an unaccounted number of corrupted lives.
About the Director
JAY ABELLO believes that “The camera (still and moving) has been my most accessible and reliable tool in capturing moments that would stand the test of time.” His active involvement in the Negros theater scene led him to work as Assistant Director, 2nd Unit Cinematographer, Crowd Director and Writer in films by noted Filipino filmmakers. He has also worked in a variety of TV soap dramas for GMA-7, TV commercials, short films and projects for the stage. He took a Summer Workshop for Cinematography at the Rockport College and a Photography course at the New York Institute of Photography. Ligaw Liham is his first full-length directorial project.
PISAY
by: AURAEUS SOLITO
Finalist, Full Length Films Category
Amidst the chaos of Martial Law in this Third World country in the 1980s, six teenagers in the top high school for the sciences discover themselves as they go through the joys and pains of adolescence. They were the top two hundred students from all over the Philippines who passed the examination for the Philippine Science High School, which was created for the purpose of giving an education highly enriched in the Sciences to exceptionally gifted Filipino children. Selected from the best and brightest from all over the country, they endure college-level courses in biology, chemistry, mathematics, and physics from their sophomore year onwards. Those who can make it are hailed as the future science and technology leaders of the New Republic, those who don’t are deemed unfortunate victims of natural selection. They all learn however that they are neither isolated from the real world, nor are they exempted from living real lives. They find the world outside, erupting into the People Power revolution in 1986 against the Marcos dictatorship, being replicated within the school as they struggle to graduate, contend with teachers, classmates, family, school officials, and a new classification to segregate students meeting the high standards of excellence from those who do not.
About the Director
AURAEUS SOLITO’S first feature film The Blossoming of Maximo Oliveros won 14 international awards including 3 awards in the Berlinale (The Teddy award, International Jury Prize at the Kinderfest and Special Mention from the Children’s Jury of the Kinderfest). It is also the first Philippine film nominated for Best Foreign film at the Independents’ Spirit Awards in the US. Tuli is his second feature which won Best Picture and Best Director at the CineManila Film Festival and is in the Official Selection of Sundance 07 and the Berlinale, International Forum for New Cinema.
STILL LIFE
by: KATRINA FLORES
Finalist, Full Length Films Category
An intimate and character driven piece, STILL LIFE is the story of James Masino, a gifted Filipino painter who finds out he is afflicted with a paralyzing disease known as Guillain Barre Syndrome. Faced with a future where he can no longer paint, James leaves his life in the city and goes on a self-imposed exile to paint one last time, one final masterpiece. Unable to imagine a life without his art, he plans to kill himself once he finishes this painting. But Fate intervenes and derails this grand scheme when James learns that he must share this exile with Emma, a beautiful and mysterious young girl who at 19 has lived a life much too old for her years. But it is her courageous and unfailing optimism despite what life has dealt her that ultimately inspires James to realize a life beyond his canvass. Her search for meaning propels his journey towards hope and redemption. And what unfolds is an offbeat love story between a 30-year-old man and a 19-year-old girl that begs the question what is truly the purpose of one’s life? The answer they find in each other will turn out to be simpler and far more astonishing than either one might have ever guessed.
About the Director
KATRINA FLORES graduated in 2000 with a degree in Communication Arts from the Ateneo de Manila University. She has been working for the past six years as a writer, script consultant and creative project manager for Star Cinema Productions Inc. In 2003, she took a break from film and tried her hand in television. After a brief stint as a member of the TV Concept Development Group for ABS CBN, she became a Head writer at 22 for the top-rated and award-winning soap opera Kay Tagal Kang Hinintay, also produced by Star Cinema. Her passion for writing is second only to her passion for the stage and in 2005, she checked off her wish list the role of Nurse in the Bard’s Romeo and Juliet staged by the Metropolitan Theatre Guild. Still Life is her directorial debut.
TRIBU
by: JIM LIBIRAN
Finalist, Full Length Films Category
Every night, in the dark nook and alleyways of marginal urban communities in this metropolis, violence erupts sporadically, waylaying and maiming young lives and youthful dreams. What feeds this brutality? How are lives affected by this vicious cycle? This is the darker side of Manila-by-night, where pubescent gangs, or “tribes,” roam the streets looking for quick fixes and cheap thrills. Here, Manila’s working class district of Tondo throbs to the beat of hip hop and freestyle gangsta rap, while panoramic poverty is spray-painted like a multi-colored graffiti of promiscuous sex, crack heads, and alcohol-induced street battles. Thru the eyes of ten-year-old Ebet, we witness the deadly lives of teen age gang members in Tondo and the events that lead to their explosive confrontation.
About the Director
Tondo-native JIM LIBIRAN bagged a Palanca award in 2006 for his screenplay Tribu. He is a writer, poet, journalist, news documentary maker, and TV producer. He spent many years in the print media, working as writer, editor or columnist for various newspapers. He has a decade of experience in television, working for various TV stations – first working as a researcher, then as segment producer in the news and current affairs department. Rising from the ranks, he became a head writer, executive producer, correspondent, and then as manager. As a broadcast journalist, he is part of the team that produced documentaries and reports on Iraq, the Taliban defeat in Afghanistan, the rebellions in Mindanao, EDSA DOS uprising, and recently, State of War. Some of his poetry collections have won literary awards. He is a member of the Filipino poetry group LIRA. Tribu is Libiran’s first full length film. He teams up with Filmless Films to produce this riveting story of the lives of adolescent street gangs in Manila’s working class district of Tondo.
TUKSO
by: DENNIS N. MARASIGAN
Finalist, Full Length Films Category
The mysterious death of a young village lass leads to the investigation of those who knew her and what they may have to gain from her death. Told from the perspectives of the different characters, the film examines how one’s view may lead to varying interpretations of the same incidents.
About the Director
DENNIS N. MARASIGAN has worked extensively in film, television, and theater over the last thirty years. His first full length digital feature film, Sa North Diversion Road, produced by Cinema One Originals, was cited as one of the best films of 2005 and received nominations from the Gawad Urian and Golden Screen Awards, winning Best Screenplay Adaptation from the latter. He was recently appointed Artistic Director of Tanghalang Pilipino and is one of the organizers of the Philippine Independent Filmmakers Multi-Purpose Cooperative.
Wow again. Talk about wowness!
Aureaus Solito is trailblazing in worldwide film festivals, at great speed for a fresh filmmaker, having earned the distinction of "an openly gay Palawano islander." This curious label for a Filipino director lands him again in the spotlight.
His second film, "Tuli," a recent groundbreaking work, lands in Sundance's "Spectrum" section this year. It won the The Network for the Promotion of Asian Cinema (NETPAC) festival award in the recently concluded Berlin Film Festival.
Truth is stranger than fiction. The ridiculous and out-and-out idiocy of the Movie & TV Classification Board (MTRCB), in our country, has marked "Tuli" with an X-rating due to its brief lesbian kissing scenes. When will they ever grow up? MTRCB paints a disparaging portrait of how pathetic its "censorship board" (and not a classification board) is. It is a shot to the foot. It calls for a drastic change. Ergo, it must be CENSORED, albeit, indispensable, it must be CUT or even DISSOLVED. Fast!
Read Ruben V. Nepales' ONLY IN HOLLYWOOD: Sundance taps Pinoy filmmaker as speaker in the Philippine Daily Inquirer.
Cebu City signs up movie production facility
By Irene Sino Cruz
Visayas Bureau
Last updated 07:09pm (Mla time) 02/25/2007
CEBU CITY -- After a long wait, the Cebu City government finally signed up the first locator in the South Road Properties (SRP), the 300-hectare reclaimed area the city owns.
Bigfoot Entertainment (BFE) signed last week a 25-year lease agreement for a two-hectare area at the SRP, where the company plans to build a multi-million-dollar movie production facility.
A Bigfoot executive earlier explained that a bigger sound stage could accommodate large movie sets. The company said the investment in the expansion facility at the SRP could reach $10 million.
Cebu City Mayor Tomas Osmeña said the BFE was planning to acquire another 16 hectares for an integrated development.
"I'm more excited about what Bigfoot intends to do at SRP because Bigfoot is taking very aggressive posture pioneering new things to put us on the map," Osmeña said in an interview.
He said the company planned to transform the 16 hectares of prime waterfront area into an integrated development, including a mega yacht club.
Osmeña said Bigfoot's planned development would also include a retirement facility, residential condominium, hotels, offices and a bus terminal when fully built up.
He said the project would be implemented within three to four years.
The BFE also expressed willingness to work with real estate developers such as Filinvest Land Inc., Osmeña said.
A Brunei investor was also eyeing a hotel project as part of Bigfoot's complex, he added.
Osmeña said that upon the finalization of the purchase agreement, the city would ask Bigfoot to pay 40 percent of the total purchase price with the balance payable over four years,.
The mayor said Bigfoot decided to lease the two hectares first because it could not wait for the bidding process to be completed and it wanted to start with its film production facility immediately.
Bigfoot has two soundstages in its Mactan facility, which cost over $2.1 million (about P99.4 million). A sound stage is a large soundproof studio usually used for filming motion pictures. However, the Bigfoot sound stages in Mactan could only accommodate filming of music videos and advertisements.
Joel Mari Yu, managing director of the Cebu Investment Promotion Center, said the lease agreement on the two-hectare area would be terminated upon the approval of the purchase of the lot, along with the 16 other hectares.Earlier, Osmeña came under fire from his critics over the huge debt the city incurred to finance the reclamation project, which cost at least P2 billion, and the capability of the city to pay off the loan.
The efforts to market the SRP to investors hit a snag when the Talisay City claimed it owned part of the reclaimed area.
The issue was settled when President Gloria Macapagal-Arroyo issued Proclamation No 843, transferring the ownership of the SRP to the Cebu City government and declaring the area as alienable and disposable.
The city plans to sell parcels of the area to pay off portions of the loan, which is payable over a 30-year period. The selling price of SRP land starts at P10,000 per square meter.
Balay Dakû - The first Ilonggo full-length independent digital movie.
After several years of living in Metro Manila, Julio, the youngest son of the Gonzalez family, returns for vacation in his home of Bacolod City, Negros Occidental. Accompanying him is his Iloilo born and Metro Manila lived wife, Stella.
Upon their arrival in Bacolod, everything seems to be normal and routine. Julio reunites with his widowed mother Inday Carmen, his elder brother Boy, and his old friend Isabela. He introduces Stella to all of them.
As the days and weeks progress, things start to turn sour and frustrating as old and unresolved personal issues, that Julio left behind, start to creep back into their lives. Stella is left to adjust herself to this different environment and people, as they in turn try to adjust to her liberated ways.
Emotional undercurrents swirl. Strains on relationships between the family members slowly start to reveal themselves, and finally come to a boil.
Wow! Proof that Filipino filmmakers are making big waves in the international cinema scene. Auraeus Solito rocks!
From NETPAC's site:
Tuli shared the award with Momoi Kaori's Ichijiku no kao (Faces of a Fig Tree). Auraeus Solito directed Ang Pagdadalaga ni Maximo Oliveros (The Blossoming of Maximo Oliveros), winner of 14 international film awards, including 3 awards at the Berlin International Film Festival in 2006. More festival winners.
Googled and found this award-winning Pinoy indie film, ICU BED #7, from Oliver Oliveros' blog. It is written and directed by Rica Arevalo (won the best direction trophy). The film highlights the critically acclaimed performance of veteran big screen actor Eddie Garcia, who won a best actor award too.
Arevalo’s ‘ICU Bed #7’ is an impressive evidence of the entry of a new generation of gifted moviemakers to the world of Filipino visual entertainment, demonstrating a skillful departure from the traditional linear approach to story and character development while remaining true to its central theme without getting lost in pointlessly impressionistic cinematic devices. Arevalo stands out among the young arrivals who have managed to realize this difficult objective.
Eddie Romero, National Artist for Film and Broadcast Arts, points out that “Rica Arevalo’s ‘ICU Bed #7’ is an impressive evidence of the entry of a new generation of gifted moviemakers to the world of Filipino visual entertainment, demonstrating a skillful departure from the traditional linear approach to story and character development while remaining true to its central theme without getting lost in pointlessly impressionistic cinematic devices. Arevalo stands out among the young arrivals who have managed to realize this difficult objective.”
Now, when do we ever get to see this in Cebu City?
TULI
Philippines, 2006, 107 Minutes, color
Director: Auraeus Solito
Screenwriter: Jimmy Flores
A group of young Filipino boys gathers at the creek. Through the lush forest, sun dapples the ground and water. A kind of ritual begins to transpire. The boys, one by one, are circumcised in a requisite rite of passage. A young girl, Daisy, is also there and becomes her father's stoic assistant in the act. Life in the remote Filipino village seems simple and innocent.
But as the children grow up, the plot becomes more complicated. Cut to Daisy, a beautiful young woman. She is dissatisfied with her life, and her father is continually drunk and increasingly abusive. An arranged marriage seems her only way out, but she has her eye on a different life. She is already falling in love with her female childhood friend--a relationship that threatens to tear the village apart.
As he did so well in Ang Pagdadalaga ni Maximo Oliveros (The Blossoming of Maximo Oliveros), Auraeus Solito again offers a glimpse into another culture; this time, it's not the grey city but the lush greens and rich hues of earth and sky. His story transpires in a magical, rustic style, where Old World spiritualism commingles with colorful Christian rituals. In Tuli, Solito transforms Daisy's male-dominated existence into a place where new ideas can thrive and prosper.— John Cooper
Screenwriter : Jimmy Flores
Executive Producer : Vincent del Rosario, Jr.
Cinematographers : Nap Jamir, Matk Gary, Regiben Romana
Editors : JD Domingo, Clang Sisson
Music : Pepe Smith, Shant Verdun
Production Manager : Endi "Hai" Balbuena
Cast : Desiree del Valle, Carlo Aquino, Vanna Garcia, Bembol Rocco, Amable Quiambao, Eugene Domingo
Director(s) Bios
Auraeus Solito
Auraeus Solito's first feature film, The Blossoming of Maximo Oliveros, screened at Sundance in 2006 and went on to win 14 international awards, including 3 awards at the Berlin International Film Festival. It is also nominated for best foreign film at the 2007 Independent Spirit Awards and is the Philippine entry for the 2007 Oscars. Tuli is Solito's second feature; it won awards for best picture and best director at the CineManila Film Festival. Solito traces his roots to the indigenous Palaw'an islanders of South Palawan, Philippines.
An interview with Auraeus Solito.
Source: http://festival.sundance.org/filmguide/popup.aspx?film=4688
A short history of the decline of the Visayan movie industry. Will there be hopes of its revival?
1902 - cinema came to Cebu when the Cinematografo Electro-Optico Luminoso Walgrah was set up by one Pedro Alario in a warehouse on Magallanes St.
1910 - Cebu's oldest playhouse (Teatro Junquera established in 1895 on Colon Street) came to be more of a cinemahouse than a playhouse.
1911 - Cine Ideal was built, a structure particularly built for movie viewing.
1922 - Cine Auditorium was built, with a capacity for 10,000 people.
1922 to 1923 - the year Visayan movie making started. A group of Cebuanos collaborated to make, the first Cebuano full-length silent movie.
1938 - the first talking motion picture in Cebuano was produced, called Bertoldo-Balodoy.
1940 - the second movie, Gugmang Talagsaon, was released, co-directed by Fernando Alfon and S. Alvarez Villarino.
WW II - the third movie, Florentino Borromeo's Bulak sa Lunangan was in production when the WW II broke out, and thus, was never finished.
November 1947 - the movie Sa Kabukiran was premiered in Cebu's Liberty Theater. Manuel P. Velez, a well-known Cebuano composer, helped produce the movie. He was the musical director while his daughter, Lilian Velez, was the movie's star.
1949 - Velez linked up with local businessman and organized Star Pictures Production Corporation. The company produced its first film, Buenaventura Rodriguez's Luha Sa Kalipay , which opened in Vision Theater on December 28, 1949. It had a Cebuano cast led by Bert Nombrado and Esterlina (Ester Colina).
1950s - the heyday of the Visayan film industry. Films were made by such outfits as Azucena Pictures, Mutya Productions, Antingan Pictures, VisMin Productions, Vista Films, and Adelpha Pictures. The industry produced such notable screenwriter-directors as Piux Kabahar, Fernando Alfon, Natalio Bacalso, S. Alvarez Villarino, and Leoux Juezan. It was also a time for the rising of such stars as Mat Ranillo Jr., Gloria Sevilla, Esterlina, Bert Nombrado, Mario Palacio, Virgie Solis, Caridad Sanchez, Danilo Nuñez, and comedian Arcadio Roma. There were around 80 Cebuano movies produced between 1947 and 1960, an average of some six new pictures a year.
1950 - Princesa sa Tawi-Tawi, which starred Rudy Robles, was produced with English subtitles with an eye for the foreign market.
1955 - Salingsing sa Kasakit won a Best Picture nomination and a Best Child Actor award for Undo Juezan in the FAMAS competitions. This movie was also dubbed in Tagalog for wider distribution.
1960 - the beginning of the Cebuano movie industry's decline.
1969 - Badlis sa Kinabuhi, a Cebuano film produced by a Tagalog director, Leroy Salvador. It won the Best Actress award for Gloria Sevilla in both the FAMAS and the 16 th Asian Film Festival in Jakarta, Indonesia. The film was also chosen as the Best Black and White Film in Jakarta and was entered in the Berlin Film Festival of 1969.
2004 - Panaghoy sa Suba (Call of the River) is produced, directed and starred by Filipino actor Cesar Montano. It features Filipino actors Juliana Palermo, Jackie Woo, Phil Anthony, Caridad Sanchez, Joel Torre, Daria Ramirez, Ronnie Lazaro, Suzette Ranillo, Rommel Montano, Dr. Warfe Engracia, Ramon Villanueva, Chelo Espina, Flora Gasser, Disi Alba and Rebecca Lusterio.
It is an epic story set during the American Occupation (1942) and the Japanese Occupation (1945), shot amidst the virgin splendor of the island province of Bohol, Philippines mostly along and around the Loboc River which plays a significant role in the story. It is a mixture of action, drama, romance, and history.
The film is Cesar Montano's directorial debut with an almost entirely Visayan cast, and perhaps the biggest film ever to be shot in its entirety in the Visayas. The film, intended for both national and international exhibition, boldly used Visayan as the main language.
It was given an "A" rating by the Cinema Evaluation Board or CEB of the Film Development Council of the Philippines and was CM Films' entry to the 2004 Metro Manila Film Festival. The CEB described Cesar Montano's direction as "meticulous but light-handed." It turned "a somewhat rambling and slow screenplay into a poetic, sometimes even magical, current of silent struggle and survival."
The Call of the River is a multiple award-winner. It has bagged Second Best Picture (to Mano Po 3), Best Director, Best Supporting Actress, Best Screenplay, Best Cinematography, Best Musical Score, Gatpuno Villegas Cultural Award at the Metro Manila Film Festival, 2004; and Best Actor, Best Supporting Actress at Gawad Suri Awards, Manila, 2005.
Sources: www.ngkhai.com & http://en.wikipedia.org/wiki
